Friday, November 13, 2009

Art Quote of the Day for Nov. 13, 2009

"The progress of an artist is a continual self-sacrifice, a continual extinction of personality." -T.S. Eliot, Tradition and the Individual Talent, 1919

Thursday, November 12, 2009

Art Quote of the Day for Nov. 12, 2009

"Everything in creation has its appointed painter or poet and remains in bondage like the princess in the fairy tale 'til its appropriate liberator comes to set it free." -Ralph Waldo Emerson

Wednesday, November 11, 2009

Art Quote of the Day for Nov. 11, 2009

"For me, painting is a way to forget life. It is a cry in the night, a strangled laugh." -Georges Rouault

Tuesday, November 10, 2009

Art Quote of the Day for Nov. 10, 2009

"An artist is someone who produces things that people don't need to have but that he - for some reason - thinks it would be a good idea to give them." -Andy Warhol

Monday, November 9, 2009

Art Quote of the Day for Nov. 9, 2009

"No great artist ever sees things as they really are. If he did, he would cease to be an artist."
-Oscar Wilde

Sunday, November 8, 2009

Art Quote of the Day for Nov. 8, 2009

"The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist. The artist does not tinker with the universe, he recreates it out of his own experience and understanding of life." -Henry Miller

Saturday, November 7, 2009

Flashback: Modern Glass Blowing Still Adheres to Ancient Traditions - Article

Article is by the American Collector Staff.

This photo essays shows the steps glass blowers took to create intricate hand-blown glass items (from bubble to goblet). It originally appeared in the February 1938 issue of American Collector magazine, a publication which ran from 1933-1948 and served antique collectors and dealers.

Although the gaffer and servitor seen in these pictures wear the clothes of today, they are actually following the same steps and using the same tolls that glass blowers have used for centuries. These pictures taken at the Steuben works of the Corning Glass Company, show the successive steps in making a piece of fine hand-blown glass. The tools, blow pipe, pontil rod, bench, tongs, and wooden paddles are practically the same as those used in making the rarest off-hand specimens of American glass.

The Start, Blowing the Bubble: Standing before the furnace, a glass bower has expanded the gather of molten glass on his blowpipe. When finished this will be the upper part the goblet.

Applying the Stem: Here the gaffer, seated at his bench and using his parrot shears, is steadying a gather of glass, as it is applied to the bulb with a pontil rod that will form the goblet stem.

Shaping The Stem: Using a steel fork, as he rolls his blow pipe back and forth on the arms of his bench, the gaffer is giving the goblet stem the desired form. The upper part of the goblet is still attached to the blow pipe and the stem design can be seen.

Forming the Foot: A second gather applied with the pontil has provided the material for the goblet foot. Here the gaffer, rotating his blow pipe back and forth on his bench arms, is shaping the foot with a palette of applewood. To prevent burning it is frequently dipped in water as the shaping progresses.

Atteching the Pontil Rod: Srem and foot having been formed and worked to the desired shape, the next step is to attach the pontil rod to the base. The gaffer is seated at his bench and his servitor, or helper, is seen holding the pontil rod in position as it is made fast to the foot.

Freed from the Blow Pipe: Here the goblet, firmly attached to the pontil rod, has just been removed by the gaffer from the lower end of the blow pipe by a sharp blow preparatory to forming the upper part or the bowl.

Trimming the Bowl: The goblet is now only attached to the punty rod. The gaffer is cutting away the excess glass with shears from the end the blow pipe was once attched preparatory to widening and shaping the bowl of the goblet. Just before this step the piece was reheated in the glory hole to make it soft enough to be easily worked.

Ready for the Lehr: The goblet is now made and the gaffer is freeing it from the pontil rod ashis servitor holds the fork by which the finished piece, still too hot to handle, will be taken to the annealing lehr for the gradual process of cooling. When cold the roughness where the pontil was once attached will be removed at a seraies of grinding and polishing wheels.

To read the original article online, click here.